The Power of Writers

Yes, I read. A lot. It opens me up to other worlds and perspectives. I embrace that possibility, particularly since travelling over the past few years has been impossible and in my own life rather limited over the last decade or so.

Reni Eddo-Lodge‘s book, ‘Why I’m No Longer Talking to White People About Race‘, is still one of the most important books I’ve read in the last few years. One of my students recommended it to me long before the murders of George Floyd, Breonna Taylor and Ahmaud Arbery. I bought it shortly after that recommendation and it sat on my shelf until the summer of 2020. Whilst focused on race history and racism in Britain / the UK, there are so many parallels to our history in the US, a painful yet important-to-understand history if we have any hope of ever truly creating a society based on justice and equity.

As inspiring as the summer of 2020 was, 2022 feels rather disappointing given … well… everything. From additional book bans and a paranoia around CRT to the House GOP voting together to not support efforts to root out white nationalists and Nazis from the military and police forces, it’s depressing in many ways.

Recently, I was fortunate enough to spend a rather intimate few hours at a reception for one of my writing heroes, Colson Whitehead. A quote of his was mentioned in the conversation from an interview he did with the Helsinki Sanomat, something to the effect that he viewed his place as a writer as not so much able to change attitudes or the world [I’m paraphrasing and likely butchering the conversation]. It struck me as odd, since I have found so much of his writing as well as the writing of others fundamentally shift my world and my perspective. And, historic events unknown previously to some after being fictionalised became known to others. Perhaps it isn’t for me to say how any one author’s works affect the broader public. But, I do feel like whether through random musings and social commentary or fictionalised worlds created, writers all have the power and ability to make us think and perhaps think in ways different to what we’ve always ‘known’. That ain’t nothing.

Following Reni’s lead, I am inclined to rely on the words of another writing hero, James Baldwin, a man long dead, but still painfully and rather chillingly seemingly more relevant now:

“The bottom line is this,” James Baldwin told the New York Times in 1979. “You write in order to change the world, knowing perfectly well that you probably can’t, but also knowing that literature is indispensable to the world. In some way, your aspirations and concern for a single man in fact do begin to change the world. The world changes according to the way people see it, and if you alter, even by a millimetre, the way a person looks or people look at reality, then you can change it.”

From Reni Eddo-Lodge on anti-racism: ‘The backlash amazes me’

#blm
#antiracism

Words matter

As an academic editor and instructor for those seeking to communicate the results of their research as well as their ultimate ambitions as researchers and scientists, I obsess about words, primarily the words of others. I understand that words can and do carry incredible meaning and a power we often forget or neglect. Particularly, when they matter most. Particularly, when emotions run high. Particularly, when we most need to use and wield them carefully.

As an American, I absolutely and unequivocally support an individual’s freedom to express themselves. So long as it does not incite violence. So long as they accept when speaking what they say and to whom and how may carry consequences, and before speaking they be ready to accept those consequences.

First Amendment to the Constitution of the United States

Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for redress of grievances.

I use this space to express my own beliefs. My own ideology. My own random musings on current events and odd occurrences in the world around me and further afield. But, I do so accepting fully that I will offend some and alienate others at times. I write and share here in the hope that it also inspires some, primarily to use their own voices and their own words, to allow others a glimpse into divergent world and views or to simply think about the world in a slightly different way. But, I also understand that what I have said elsewhere and written here about my own beliefs carries consequences for me. And, I accept those consequences. Because I understand the responsibility that speaking out carries.

As debates once again rage about the First Amendment and the Freedom of Expression as the US President is banned from social media platforms perhaps permanently and a social media platform loses its hosting services given the violence that was fomented and organised via it, it seems like we all need to re-examine what the right and freedom to express ourselves means.

It seems to me when someone uses a platform to plan and/or organise an assault on a body of government, where individuals are running around that chamber actively searching for the Vice President as well as the Speak of the House, the Senate Majority Leader and various other elected officials, so that they can kidnap or kill them, we might want to question what constitutes ‘speech’. When such actions are encouraged by a sitting President, who continues to lie after making nearly 30 000 false or misleading claims through the election in 2020, allowing him to continue to do so whilst he also encourages violence against members of a body of government might carry some consequences.

It seems to me when a sitting President encourages his devotees to march to the Capitol, when his personal attorney argues for ‘trial by combat‘ and another elected official quotes Hitler, we might want to limit their access to megaphones. At the very least, perhaps we can let them know that their words have consequences.

Furthermore, if a private business owner can refuse providing their service to an individual for no other reason than they object to that potential client being gay, another private business can also decide that they do not want to do business with a company or group or individual that fosters and foments violence in any form (Think: No shirt. No shoes. No service.).

Individuals can say what they want. But, they also need to accept that actions have consequences, particularly when dealing with private businesses and companies. (Isn’t that what many said in response to Colin Kaepernick not being signed after he took a knee?)

The Freedom of Expression also demands we use that right and freedom responsibly.

Words matter. And, the words of the President (and others) this particular week as well as for quite some time have been inflammatory, intentionally spread misinformation and outright lies, incited violence and fomented hatred. He can say whatever he wants. But, he must also accept that those words may carry consequences.

At the very least, the rest of us need to reflect upon what we are willing to say and do, and the responsibilities afforded and put upon each of us when we do so, as well as what consequences we are willing to face given our choices.

And, if nothing else, we must remember: words matter.

On ‘Steering the Craft’ by Ursula K Le Guin

Steering the Craft: A Twenty-First-Century Guide to Sailing the Sea of Story by Ursula K. Le Guin

My rating: 5 of 5 stars


I clearly need to read more from Ursula K Le Guin.

I picked this book up based on the review a friend and colleague posted about it several months ago. As an instructor for PhD students and postdocs who seek to improve their writing skills, this seemed like an interesting read and possible source for new ideas and tips to share.

I’m delighted to say this book proved more than useful and highly insightful, and already appears to have influenced my own teaching as well as revising for various clients. (I’m not kidding: I caught myself yesterday hearing Ursula’s guidance as I proofread a manuscript for a client, finding several highly ambiguous and awkwardly phrased sentences that desperately required reshuffling.)

Filled with insight, tips, and useful examples from masters of prose, as well as exercises for both writing and critiquing, this is a highly useful book, both for those writing fiction or memoirs as well as for those like my own students attempting to tell the story of their research. As time (and energy levels) permits, I plan to work through the exercises. At the very least, I’ll be incorporating them into my own courses and gladly share them with colleagues.

This is a gem of a resources for those who seek to write as well as for those working with writers regardless of genre, style, length or topic. It’s also a bloody good read.



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On ‘The Uncounted’ by Sara ‘Meg’ Davis

The Uncounted by Sara L.M. Davis

My rating: 5 of 5 stars


In today’s world in particular, there are days when it seems as though we are drowning in information. Too much data. Too much ‘stuff’ to process and make sense of. That feeling is only partially true, however. Across various areas and arenas, we know far too little, particularly when we focus on issues surrounding health and human rights. All too often we take the absence of information or data or evidence as a sign that we may relax a bit.

We desperately need to shift that thinking. The Uncounted, by Sara ‘Meg’ Davis provides a road map for how we may begin to shift our thinking and perspectives in order to adjust how, amongst whom and what we collect data in a relatively simple way, and in a way which may pay huge dividends, particularly amongst those most in need and previously most neglected in policy planning and financing.

‘The Uncounted’ is a fantastic read, one which profoundly challenges the notion that in the absence of information or evidence we don’t need to worry about issue X. That is, if we carefully examine those variables for which we have no data or evidence, perhaps upon digging deeper and enlisting assistance from those more acutely and intimately aware than we are, we will find previously hidden information and data. And, that data and information are likely to radically shift how we design programmes or policies on various issues. We will no longer be able to simply dismiss an issue as unproblematic. Quite simply, ‘The Uncounted’ provides a profound argument for carefully considering how we examine and apply the absence of evidence as an indicator.

‘The Uncounted’ is rich in ethnographic descriptions, documenting the various assumptions made by multilateral agencies charged with dispersing funding to and establishing guidelines for countries in how they respond to HIV, tuberculosis and malaria (e.g., The Global Fund to Fight AIDS, TB and Malaria, UNAIDS, WHO, PEPFAR, etc) and local-level agencies and individuals best situated to argue for expanding programmes and funding schemes within communities. For those unfamiliar with such agencies, Dr Davis disentangles these various personalities and agencies rather neatly, making it clear who does what and whose voice is perhaps most necessary in deciding upon programmes and policies to address HIV in particular. Following the progress and steps necessary to count the uncounted within the Caribbean region provides evidence for how we can begin to shift our thinking and truly ensure full inclusion of all individuals affected by HIV and specifically those least likely to date to receive crucial services and support.

Reading ‘The Uncounted’ during a global pandemic proved rather surreal,not simply because some of its key characters are also playing a crucial role in current events vis-a-vis Covid-19. As our global health-related realities have been thrown into chaos this year with the emergence of Covid-19, I’m curious to see how various elements of Dr Davis’ careful and thorough work play out. Whilst focused primarily on HIV, and the very real oversights in counting typically hidden populations such as men who have sex with men, transgender people, sex workers and people who use drugs, certainly many individuals, and perhaps the most vulnerable, will go uncounted in the wake of Covid-19. Will health, social, and economic policy makers and planners at local, national, and international levels solicit the perspectives from those at the community levels most intimately associated with the epidemics and acutely aware of problems in providing treatment, care and support to those affected in order to understand who, what, why and where? Or will they rely on the absence of evidence as evidence of absence simply because individuals are not counted by the powers that be? How will key populations be accounted for? Will they?

My hope is that the powers that be across power structures would heed the advice and road maps provided by Dr Davis. The reality is that in some places, that advice and those road maps are not being considered. And, in those places it seems as those Covid-19 is raging unchallenged. [Insert heavy sigh here.]

‘The Uncounted’ provides this cynic with a bit of hope, however, particularly with regards to HIV. Hope that we expand our perspective ever so slightly, yet in a way which we can make a huge difference to communities and key populations who may have previously faced stigma, discrimination and institutional neglect, and who may finally receive the crucial support to transform structures that place them at the response to HIV. It won’t be easy, but it is necessary. And, to my mind, long overdue.

Clearly, we can no longer that that ‘absence of evidence as evidence of absence’.



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On ‘Write It Up’, by Paul Silvia

Write It Up! Practical Strategies for Writing and Publishing Journal ArticlesWrite It Up! Practical Strategies for Writing and Publishing Journal Articles by Paul J. Silvia
My rating: 5 of 5 stars

As an instructor to young (and older) PhD students, specifically providing guidance on the wonderfully wacky world of academic publishing, I think this book rocks.

It’s not just a how-to for each individual section of a manuscript, it’s also a bit like a personalised cheerleader, cutting off each objection and ‘but what about’ as it crops up. Never dull, always insightful and on point, Paul Silvia offers a delightful primer on academic writing and putting together academic articles that will be read rather than simple consigned to the published rubbish heaps that litter various libraries, virtually and otherwise. 

I’d require my students to read this book if they were undergraduates and took my classes for actual letter grades. However, they’re adults and can and will do what they want with their valuable time. So, let’s just say that I will strongly encourage them to heed his advice (along with mine to read this book), particularly if they question what we discuss and do in my own classrooms.  

One particularly useful bit of this book is the chapter on the publication process itself, from submission to journals through to revising and resubmitting based on that most dreaded process called ‘peer review’. If you, my dear students, read nothing else, read that chapter. [And, as you do, you will hear my voice, saying, ‘See? I told you so!’]

Thank you, Professor Silvia, for having our instructors’ backs, as well as providing an example of an academic writer with wit, charm and intellect that shines through careful writing. I’ll be recommending this gem of a book to all of my students forevermore.

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On ‘Shrill’, by Lindy West

Shrill: Notes from a Loud WomanShrill: Notes from a Loud Woman by Lindy West

My rating: 5 of 5 stars

Witty. Brutally honest. Raw. Genuine. Empowering. Righteous. And unapologetic.

I love this book. So, so much. And I love that I feel more empowered reading it.

Thank you, Lindy. You rock, girlfriend! I have no idea what you look like, but you embody beauty beyond measure.

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On ‘Headstrong’: 52 Women in STEM

Headstrong: 52 Women Who Changed Science-and the WorldHeadstrong: 52 Women Who Changed Science-and the World by Rachel Swaby

My rating: 5 of 5 stars

Women in STEM. Yes! Yes! Yes!

This delightful book places women firmly at the centre of their work and contributions to various breakthroughs and discoveries. Rather than being relegated to the status of ‘wife’ or ‘assistant’, they are the pioneers in their respective fields. It’s ever-so refreshing, although at times infuriating if only that some women did not receive the recognition they deserved until after their deaths.

Whether as a ray of light and hope during these odd times, or as inspiration for young scientists, this is a lively read. If I had a daughter, I’d read it with her, and perhaps dive into the extensive bibliography documenting women’s many contributions to STEM.

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On ‘How to Write a Lot’

How to Write a Lot: A Practical Guide to Productive Academic WritingHow to Write a Lot: A Practical Guide to Productive Academic Writing by Paul J. Silvia

My rating: 5 of 5 stars

A colleague / friend with whom I’ve been working the last year recently mentioned this little gem of a book to me as we discussed some rather disappointing peer reviews she’d received.

Academic writing is hard work, often leaving writers / authors rather dispirited and unmotivated. Finding motivation to write at all remains a constant battle for many of us. And, time and again, I find myself saying to students, colleagues and myself, ‘just schedule time to write and only write if you want to accomplish anything’.

More than anything, that message rings out loud and clear throughout this precious little bit of encouragement by Paul Silvia.

I genuinely love this book. Its tone. Its thinness. Its simplicity. Its language. And, its messages, both primary and supporting. Whether student or mentor, writing an article or book manuscript or proposal, whether just beginning or seeking to finish items on your to-do list, this book offers something for everyone.

In the week since it arrived, I’ve gone from planning to read a chapter at a time to plowing through it as if it is the most exciting suspense novel ever. It’s just that engaging. And, I will be recommending, if not demanding, that all of my students give it a read regardless of where they live within the graduate school landscape.

Thank you, Paul Silvia. I’ll be revisiting my own writing schedule this weekend. And, recommitting to cleaning my desk procrastinating less.

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Surrealistic pillow, v2.0

My dreams in Helsinki are never as vivid or as surreal as those when we’re on holiday. But, every once in a while, my subconscious plays a little joke on me as I slumber. This morning, my subconscious decided to remind that I evidently really love gin and need to read some Hemingway again soon. Or, simply, Cuba is on my mind.

Just before waking, I dreamt that I was at some rather random gathering involving sail boats and Christmas trees, neither of which are at all common in my waking world. Amidst the festivities, some of us sat at a rather plain table whilst several of my fellow real-life gin-loving friends waxed poetic and sang the praises of one gin or another.

As a bottle of one of those gins was passed around, I poured myself a rather generous glass. No ice. No tonic. No garnish. Just gin. [NB: As much as I do enjoy a lovely and refreshing gin and tonic on a warm summer afternoon, I’d never ever consider just pouring a full glass! ]

After pouring, I look up and across the table from me sat Papa Hemingway, without his captain’s hat or pipe, but most definitely his snow-white beard and paunch.

Looking on and seemingly otherwise rather bored, what was his reaction to my long pour?

‘Is that all for you, sister, or are you sharing?’

I woke myself up chuckling.

Dream a dream, and make yourself wonder what the hell goes on in that head of yours when you aren’t distracted by all the bloody noise.

Papa Hemingway

On ‘Men Without Women’

Men Without WomenMen Without Women by Haruki Murakami

My rating: 5 of 5 stars

I love Haruki Murakami.

I love the way he is able to transport his readers to the exact place he’s describing. How he can weave tales which seem utterly outlandish and yet entirely plausible. How he can create emotions, particularly those of longing and loss and a sense of wanting, simply through his characters’ thoughts and actions.

For each of these stories describing Men Without Women, I’d like more. I’d like to know what happens next to each of them.

More than anything, I’m reminded once again why Murakami is amongst my most favourite authors. Thank you once again, Maestro. You are a genre unto yourself.

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