We do not watch much TV. We opted not to connect a digibox to our fancy TV because we haven’t watched an actual TV programmes in real-time since we moved to Finland.
We are also a household divided. I will watch just about anything (except reality TV and extreme horror films). The Cuban is a film snob.
My husband’s taste in films is incredible really. I tease him about it, because his standards are exacting, and typically correct. And, I do not mind at all since he finds some true gems whilst scouring various databases and critic reviews. Thus, we tend to watch films which are relatively unknown to the box office, many foreign films and so many documentaries on topics ranging from the secret lives of cats to how foods are made and what’s actually in spam. And, naturally, politics. (I didn’t say my taste takes a complete back seat!) Typically, The Cuban selects what we watch each evening after dinner, and will throw in a silly movie just for now and again so we can mock it together. (I know: we’re awful. But, it works for us.)
Yesterday, there was no hesitation in what he cued up, something he had just discovered and read about very recently. We watched ‘Never Rarely Sometimes Always‘. And, I must say, it was truly brilliant. To me, it was perhaps a much more honest portrayal of the lengths a high school girl from a low- or middle-income family living in a parental consent state in US will consider should she find herself pregnant with very little perceived or real support from her family.
The acting is incredible, the characters and script are genuine and relatable, the direction and cinematography are both stellar and beautiful. More than anything, this film does not spoon-feed you every single detail nor dwell upon the political or social implications in the backdrop. It’s a portrait of a journey told from one perspective: a young 17-year-old girl who is pregnant and doesn’t want to be.
I have so many questions about the girls in this film and their circumstances, and can imagine so many routes via which they landed in these specific moments. Truly, I wondered what would happen to them next once the credits begin rolling.
A very tiny tagline on the movie’s website reads simply,
In this specific journey, the main character — Autumn — is accompanied by her cousin. I’m glad she had that companion along with her throughout. She did not judge, she did not chide and she did not question Autumn’s choice. She simply sat with her and stood by her on that journey, and occasionally held her hand to get her through the most difficult moments. From beginning to end.
This is stripped-down storytelling. And, it is beautiful.
https://monthlycritic.wordpress.com/2020/05/12/extraction/ My latest review if you fancy reading.
Keep writing btw.
Thanks! I’m trying. I finally feel like I’m rediscovering my writing mojo, which is an enormous relief.
I’m definitely looking for this online now. Thanks.
You’re welcome! It’s not a ‘light’ movie by any means, but it is an incredibly well-done movie.
I like movies that touch on subjects people find difficult to discuss.